- Author: Brad
- Filed under: authenticity, Christianity, community, culture, evangelism, extract'd, mission, missional, missional living, organic, post-Christendom, relationships
- Date: Jul 1,2010
“We do not need to tell people the whole gospel every time we get the chance. This is because evangelism is not an event, but a lifestyle. It takes place in the context of an on-going relationship in which other opportunities will arise. We believe God is the great orchestrator of mission. So we look for opportunities to talk about Jesus, but we need not be overbearing when those opportunities arise.”
-Tim Chester, “Answering People’s Questions” from his blog, Reformed Spirituality and Missional Church
Photo by russeljsmith (covered under Creative Commons/Attribution 2.0 Generic)
Zach Eswine is one of my new favorite bloggers. The dude knows how to turn a phrase. He is lead pastor @ Riverside Church in my former hometown of St. Louis and was recently assistant professor of Homiletics and the director for Doctor of Ministry program @ Covenant Theological Seminary.
He has written a book I can’t wait to get my hands on entitled Preaching to a Post-Everything World: Crafting Biblical Sermons that Connect with our Culture which won Preaching Today’s Book of the Year Award in 2009.
Here is an example of his brilliant writing – in it, he is giving us a “window in” to his thoughts as he works through Ecclesiastes with his church:
God has given us a language for the dark. He has handed us a flashlight and gently walked us down into the creepy basement to show us what He knows is there. He has enabled us to look at death, injustice, misuse, mistreatment, doubt, skepticism, cynicism, greed, lust, emptiness, folly. God, it seems, wants us to grow up regarding our notions of what to expect in this life. He wants us wise toward the harming things we find in the world. If we are like children curled up in our beds as the sound of thunder knocks our trees about, vibrates the walls and rumbles through our yards. He is like a kind and knowing Father who takes our hand, invites us onto the porch and shows us that we can stand steady amid the barrage.
-Zach Eswine, “The Joy of an Ordinary Life, Pt. 1″ from his blog, Preaching Barefoot
(Photo by shizhao + used under Creative Commons)
Will the real indie stand up?
At this point, most people acknowledge that there’s indie rock– music produced without corporate financial backing– and Indie Rock, a corporately funded mainstream genre that’s defined by normative musical aesthetics, not ideology or actual practice. The same idea carries over to indie film. There’s a festival and art-house circuit that’s essentially Hollywood’s shadow, governed not by artistic and financial freedom but by its own internal hierarchies and genre trappings. A number of tiresome trends have infected this circuit in recent years, including a cynical approach to ethnic and identity politics to garner perfunctory acclaim, condescending caricatures of rural types, and the accumulation of quirks and non-sequiturs in lieu of credible characterization.
-Brian Howe, music critic for Pitchfork Media, from his review of the soundtrack of the indie film Woodpecker
Photo by PUM Clothing by Mr. B. Covered by Creative Commons License.