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behold the lamb

In this day between Good Friday and Easter Sunday…

Behold The Lamb (Communion Hymn)
Keith, Getty, Kristyn Getty & Stuart Townend
(2007 // Thankyou Music)

Behold the Lamb who bears our sins away,
Slain for us: and we remember
The promise made that all who come in faith
Find forgiveness at the cross.

So we share in this Bread of life,
And we drink of His sacrifice,
As a sign of our bonds of peace
Around the table of the King.

The body of our Savior, Jesus Christ,
Torn for you: eat and remember
The wounds that heal, the death that brings us life,
Paid the price to make us one.

The blood that cleanses every stain of sin,
Shed for you: drink and remember
He drained death’s cup that all may enter in
To receive the life of God.

And so with thankfulness and faith
We rise to respond: and to remember.
Our call to follow in the steps of Christ
As His body here on earth.

As we share in His suffering,
We proclaim: Christ will come again!
And we’ll join in the feast of heaven
Around the table of the King


transformission’s top 15 albums of 2009

  • Author: Brad
  • Filed under: art, music
  • Date: Feb 12,2010

I thought I’d list a recap of the tweets of my top 15 albums of 2009 that I revealed via Twitter in January. Enjoy…

==================

#15: Tegan + Sara // Sainthood – power indie-pop with hooky choruses + chiming harmonies to go along with splashes of synths

#14: Metric // Fantasies – spacey, new wave-colored sound w/buzzing synths + Morse-code guitar scrapes

#13: Flaming Lips // Embryonic – trippier, noisier, more experimental journey + most engaging to date

#12: The Empire of the Sun // Walking on a Dream – melancholy radio-friendly funk-rock a la MGMT but better

#11: Peter Bjorn + John // Living Thing-unexpected follow-up 2 Writer’s Block; blips, beeps, beats + HOOKS!

#10: Andrew Bird // Noble Beast – vividly engaging folk-pop, plucked + jangly vibe w/clip-clop percussion

#9: Wye Oak // The Knot – distinct blend of shoegaze + Americana w/feedback blasts, tape-loop-like effects

#8: Harlem Shakes // Technicolor Health – scribbly guitars, fat horns, poignant keyboards + ragtag sing-alongs

#7: Wilco // Wilco (The Album) – experiemental fuzz continues but w/accessible melodies of their earlier projects

#6: Sea Wolf // White Water, White Bloom – woodsy, cozy, pastoral folk-rock sketches w/unassuming indie-pop hooks

#5: Passion Pit // Manners – exuberant, feelgood electro-pop of the indie rather than chart-topping persuasion

#4: Headlights // Wildlife – gorgeous + simultaneously heartbreaking indie-pop full of understated emotional vigor

#3: Fink // Sort of Revolution: intense almost suffocating feeling of intimacy; the raw power of a voice + a guitar

#2: Dave Bazan // Curse Your Branches – chunky, rootsy rocker w/level of solace amidst Bazan’s bittersweet doubts

#1: Phoenix // Wolfgang Amadeus Phoenix – precise, lean, deliberate danceable indie-pop — brilliance redefined


intentionality in missional living

Larry McCrary posts on his second day in Copenhagen with the Upstream Collective about his Xian friend Grady and his integration into the arts scene there. He writes about Grady:

I asked him “Why Copenhagen? As I have been here over the last few days his answer makes total sense.

Copenhagen is a city full of artists. They feel a kinship to the arts. They believe that this is a part of the world that as a family they could live long term and really connect with people and have a ministry through a relational context.

I also asked him about where do they desire to live in Copenhagen? He says they are looking for a place that strikes a balance between being close to where artists spend a lot of time such as galleries or cafes and to where as a young family they can develop relationships. Intentionality is important in missional living.

Read the entire post here.


Many today have an unhealthy love affair with everything John Piper writes. I am humbly learning how not to, as Scot McKnight would say, see things only through the lens of my “maestros.” But the following is just solid, pastoral thinking on the issue of exposure to edgier cultural forms…

And that Piper has said it doesn’t mean that if you are not a conservative, reformed, “glory of God” type of Jesus-follower, this doesn’t apply to you. Listen to me, it does. I believe this is one of the most important issues for many of the “younger evangelicals” who have swung towards a version of cultural syncretism with very little discernment or worse, blurred the lines of holiness for the sake of “understanding culture.”

Don’t misunderstand me. Some are called to things that most Christians couldn’t and frankly, probably shouldn’t, i.e., xxxChurch. This is a unique and specific calling that takes tons of accountability, boundaries, and discernment. I believe if Jesus were around today, he wouldn’t hesitate to be seen with someone from the adult film industry.

The truth is, I LOVE mainstream cultural art forms – probably too much. I have consumed my fair share of it to truly say, as Solomon did, “there is nothing new under the sun.” And in my pursuit of it, I have found, as Piper says in the following post, a “deadening” of my “capacities for joy in Jesus.”

Please read a portion of his recent post, “Why I Don’t Have a Television and Rarely Go to Movies” and ask God to show you how you can love Him more so you can relate to culture:

I think relevance in preaching hangs very little on watching movies, and I think that much exposure to sensuality, banality, and God-absent entertainment does more to deaden our capacities for joy in Jesus than it does to make us spiritually powerful in the lives of the living dead. Sources of spiritual power—which are what we desperately need—are not in the cinema. You will not want your biographer to write: Prick him and he bleeds movies.

If you want to be relevant, say, for prostitutes, don’t watch a movie with a lot of tumbles in a brothel. Immerse yourself in the gospel, which is tailor-made for prostitutes; then watch Jesus deal with them in the Bible; then go find a prostitute and talk to her. Listen to her, not the movie. Being entertained by sin does not increase compassion for sinners.

There are, perhaps, a few extraordinary men who can watch action-packed, suspenseful, sexually explicit films and come away more godly. But there are not many. And I am certainly not one of them.

I have a high tolerance for violence, high tolerance for bad language, and zero tolerance for nudity. There is a reason for these differences. The violence is make-believe. They don’t really mean those bad words. But that lady is really naked, and I am really watching. And somewhere she has a brokenhearted father.

I’ll put it bluntly. The only nude female body a guy should ever lay his eyes on is his wife’s. The few exceptions include doctors, morticians, and fathers changing diapers. “I have made a covenant with my eyes; how then could I gaze at a virgin?” (Job 31:1). What the eyes see really matters. “Everyone who looks at a woman to desire her has already committed adultery with her in his heart” (Matthew 5:28). Better to gouge your eye than go to hell (verse 29).

Brothers, that is serious. Really serious. Jesus is violent about this. What we do with our eyes can damn us. One reason is that it is virtually impossible to transition from being entertained by nudity to an act of “beholding the glory of the Lord.” But this means the entire Christian life is threatened by the deadening effects of sexual titillation.

All Christ-exalting transformation comes from “beholding the glory of Christ.” “Beholding the glory of the Lord, [we] are being transformed into the same image from one degree of glory to another” (2 Corinthians 3:18). Whatever dulls the eyes of our mind from seeing Christ powerfully and purely is destroying us. There is not one man in a thousand whose spiritual eyes are more readily moved by the beauty of Christ because he has just seen a bare breast with his buddies.


extract’d

  • Author: Brad
  • Filed under: humor, music
  • Date: Feb 27,2009

6a00d8341cae3d53ef0111689ad27b970c-320wi-1

I really, really like it. I predict it will sell millions of copies, not get played on Christian radio, and ‘worship bands’ will do ‘special music’ numbers with the songs. That’s what I predict.

-Brant Hansen on the new U2 album, from “Shocking News: Idealistic Middle-Aged Guy Likes New U2 Album” from Letters From Kamp Krusty


coldplay are puppets on a string

Pure, unadulterated genius…

[HT: Clint Carter]

What the video above reminded me of…


extract’d

showtell

I prefer showing over telling simply because it works – it’s an effective memorable way to communicate a message. Popular movies, books and music do influence, to varying degrees, the way we perceive ourselves, God and each other. And, like olympic figure skaters, they do this without looking like they’re trying – without preaching, using mostly story. And more than one camera, a multi-million dollar budget, and a household-name director. But is that any excuse for making yet another Christian flick that tells us to do the right thing?

-Shaun Groves, from his blog entry, “Show and Tell” via shaungroves.com/shlog


matthew ward + michael w. smith @ cre:ate 09

My new friend, Joel Klampert, worship pastor at Lifepath Church in Newport, Rhode Island, has posted some great video from some of the highlights I mentioned in my post yesterday from Day 2 of cre:ate.

First, Matthew Ward, singing “The Lord’s Prayer”:


Matthew Ward at Recreate: The Lord’s Prayer from Joel Klampert on Vimeo.


Second, Smitty leading us in “Agnus Dei” (I can’t get the video size reformatted so excuse the size):


create

It’s two days late but here was my Day 2 at cre:ate:

Morning W\worship with a genuine, humble dude named Carl Cartee. He has a new album coming out in March. Check it out. He is the real deal. Reminds me of a young Paul Baloche with more grovel…

Profound session with Ian Morgan Cron, author of Chasing Francis, on the mystic-artist. Can’t begin to say how cool it was to hear from Ian’s heart. My big takeaway was something he didn’t even talk about per se, but modeled: God has made us a certain way so we must find our voice – and that voice won’t be like anyone else’s. Ian is an artist at heart even though he is a pastor, author, blogger, etc. His presentation was heady, artsy, rich, serious, clever, humorous. I’m an artist through and through too. He gave me permission to be an “artsy” communicator…

After Ian’s session, we had the first of many surprises of the week. I thought I had seen this guy at the conference but wasn’t sure. Randy brought up Matthew Ward, formerly of 2nd Chapter of Acts, and Billy Ray Hearn, EMI Christian Music Group founder, who discovered 2nd Chapter before there was such a thing as CCM. They reminisced on their relationship and Matthew closed the time by singing “The Lord’s Prayer.” It was truly an anointed time. Matthew is one of my all time favorite singers…

Lunch was at the Boxwood Bistro here at the Factory. Jasmine salmon with white rice as a main entree. Yummy. Met and sat with uber-blogger and great guy, Carlos Whitaker and his wife, Heather. Also, had the priveledge to have lunch with Ian. Asked Ian alot of questions about his pastoring role in southern Connecticut. He started a church that has grown to 700 folks and he feels that his time to be the “lead” guy may have come to an end and hand it over to someone else. He shared his frustration of the slow shift from mission to maintenance. Also shared a vision he has for what he calls the “atomized” church. If I remember, I’ll try to unpack this later for you. In all, another providential time to connect with an anointed man who spoke truth into my life. [There was also a surprise visit by Stu G, the electric guitarist from Delirious?. Fun stuff...]

After lunch, we had our second surprise of the day. Billy and Cindy Foote, writers of songs like “You Are My King (Amazing Love)” and “Sing to the King,” led us in a mini-worship session. What a sweet time of worship! God manifested Himself in a powerful way…

Afternoon session with Steve Guthrie, assistant professor of theology @ Belmont University. The highlight was his “exegesis” of book 10, chapter 32 of Augustine’s Confessions. Awesome stuff…

Supper was at Harpeth Community Church here in Franklin. Great food and even better music. I got my nostalgia on. Michael W. Smith led us in an intimate time of worship. Just Smitty and a piano. Check out his song “Highly Favoured” on the new album, CompassionArt

Tomorrow I hope to recap day 3 & 4 for you…


extract’d

This is an longer version of the regular transformission feature I call “extract’d”…

Mark Guthrie, assistant professor of theology at Belmont University, led us through an extended portion of St. Augustine’s Confessions here at re:create. Profound stuff. This comes from book 10, chapter 32:

augustine

The delights of the ear drew and held me much more powerfully, but thou didst unbind and liberate me. In those melodies which thy words inspire when sung with a sweet and trained voice, I still find repose; yet not so as to cling to them, but always so as to be able to free myself as I wish. But it is because of the words which are their life that they gain entry into me and strive for a place of proper honor in my heart; and I can hardly assign them a fitting one. Sometimes, I seem to myself to give them more respect than is fitting, when I see that our minds are more devoutly and earnestly inflamed in piety by the holy words when they are sung than when they are not. And I recognize that all the diverse affections of our spirits have their appropriate measures in the voice and song, to which they are stimulated by I know not what secret correlation. But the pleasures of my flesh–to which the mind ought never to be surrendered nor by them enervated–often beguile me while physical sense does not attend on reason, to follow her patiently, but having once gained entry to help the reason, it strives to run on before her and be her leader. Thus in these things I sin unknowingly, but I come to know it afterward.

On the other hand, when I avoid very earnestly this kind of deception, I err out of too great austerity. Sometimes I go to the point of wishing that all the melodies of the pleasant songs to which David’s Psalter is adapted should be banished both from my ears and from those of the Church itself. In this mood, the safer way seemed to me the one I remember was once related to me concerning Athanasius, bishop of Alexandria, who required the readers of the psalm to use so slight an inflection of the voice that it was more like speaking than singing.

However, when I call to mind the tears I shed at the songs of thy Church at the outset of my recovered faith, and how even now I am moved, not by the singing but by what is sung (when they are sung with a clear and skillfully modulated voice), I then come to acknowledge the great utility of this custom. Thus I vacillate between dangerous pleasure and healthful exercise. I am inclined–though I pronounce no irrevocable opinion on the subject–to approve of the use of singing in the church, so that by the delights of the ear the weaker minds may be stimulated to a devotional mood. Yet when it happens that I am more moved by the singing than by what is sung, I confess myself to have sinned wickedly, and then I would rather not have heard the singing. See now what a condition I am in! Weep with me, and weep for me, those of you who can so control your inward feelings that good results always come forth. As for you who do not act this way at all, such things do not concern you. But do thou, O Lord, my God, give ear; look and see, and have mercy upon me; and heal me–thou, in whose sight I am become an enigma to myself; this itself is my weakness.


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