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philosophy majors ballooning

  • Author: Brad
  • Filed under: philosophy
  • Date: Apr 14,2008

In a New Generation of College Students, Many Opt for the Life Examined

This article from the NY Times intrigued me deeply. As the article says, “the life examined” is growing in popularity – philosophy majors are growing in many colleges across the country. To me, this just echoes the spiritual hunger that young people have in today’s culture. What a great time for the church to speak into the lives of emerging generations!

In order to read it, you will need to register for free NY Times content…


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Photo by Jonathan Assink

THE ADVENT OF POSTMODERNITY

Throughout history, significant periods of cultural transition have radically affected our outlook of the world and correspondingly, our view of the church. Philosophers and sociologists call these observations our epistemology or worldview – the basis upon which our life’s value and purpose are based. Many believe that we are now experiencing the next eminent cultural shift known as postmodernism.

In his book, A Primer on Postmodernism, Stanley Grenz expresses that writers and architects desiring to break out modern forms and patterns of thinking and inventiveness used the phrase postmodern in the 1930s. Historian Sir Arnold Toynbee also used the term postmodern in the 1940s to portray his opinion of the start of a new period of Western history.

Some say that official threshold for postmodernism started at the fall of the Berlin Wall; others contend for 1969, the year of Woodstock. Dan Kimball, author of The Emerging Church, suggests the year 2000 as a transitional point due to the large degree of postmodern philosophy palpable in culture at that time.

This new era represents a shift in worldview moving from values and beliefs of the modern era to the new postmodern era, which discards many modern ideals and beliefs. Pure modernism held to a lone, universal worldview and ethical standard, a belief that all understanding is decent and undeniable, truth is fixed, independence is valued, and thinking, learning, and beliefs can be determined nonlinearly.

In postmodernism, its epistemology is a self-determined, pluralistic view of culture and religion. Contradictory truths and beliefs are received as normal as seen at www.belief.net, a smorgasbord of articles on God, faith, and prayer, the nature of spirituality, society and ethics, with numerous resources where all religions are respected and/or tolerated. Additionally, authority and faith is in individual experience. Internet and media accelerate at an instantaneous global communication revolution. There exists a misgiving of authority. And the Bible is open to many interpretations and is but one of several religious writings.

Emergent Village claims that postmodernism is “an emerging culture that is characterized by having passed through modernity and pursuing something beyond modernity…We do not believe it yet exists in its fully developed forms, but it is in its early formative steps…” Kimball says the progression of postmodernism supplanting modernism has progressed in these arenas as follows: from academia to architecture to pop culture to everyday life and thinking to spirituality to the Church. Dave Tomlinson, author of The Post-Evangelical, says this:

Those who think that postmodernism is a figment of the academic imagination, a passing fad, could not be more wrong. Postmodernism has flowed right out of the musty corridors of academia into the world of popular culture; it is on the pages of youth magazines, on CD boxes, and the fashion pages of Vogue.


radiohead killed the rock star

radiohead.jpgFictional scene: Sterile room. Circle of chairs. People of all walks of life. A goateed, dark-headed man stands. “Hi, my name is Brad Andrews. I’m a Radiohead addict.”

Well, I guess fawning over Radiohead is what you do if you are in the blogosphere and you want people to think you are cool. The thing is, I actually do like Radiohead.

I remember going to a session in Nashville and asking the piano player what he was listening to and expecting something like, “Bill Evans, man…” but what crawled out his mouth sounded like a thrashcore group, “I’m listening to Radiohead. Kid A, The Bends? Dude, you gotta hear this stuff…” And within the week, I was an evangelist

So to continue the fawning, I direct you to a great article that I resonated with written by Steven Rybicki of The CCM Patrol on the enigma that is Radiohead:

Rock & Roll & Radiohead
Where the industry-evading anti-rock stars fit in the rock ‘n roll canon.

by Steven Rybicki

With all of the Drudge-sanctioned coverage of the release of In Rainbows, you may have noticed something: Radiohead is one of those “IMPORTANT” bands. Now, we live in an era that has digested and forgotten what it means to experience “important” music. We have neither the attention span nor the sense of history to appreciate art and some critics are more pessimistic than others. On the right, Alan Bloom lamented, with great hysteria in The Closing of the American Mind, the advent and development of jazz, R&B, and Rock & Roll. On the left, intellectual titan Theodor Adorno, in his essay “The Culture Industry,” strenuously argued there hadn’t been an admirable piece of music produced since the work of Haydn (and Adorno reserved intense vitriol for Beethoven). But I digress.

In case you haven’t plugged in to their work, let me offer a synopsis of their corpus. Radiohead started as one of many Brit-rock bands during a flurry of rock activity in the UK during the early ‘90s. Their first record is remembered by the uninitiated for a single called “Creep,” which became a staple on alternative radio, MTV’s 120 Minutes, and made it onto the soundtrack for the movie Clueless.

Their sophomore release, The Bends, coincided with the early-‘90s Britpop invasion of Blur, Elastica, Pulp, and, of course, Oasis. Thom Yorke’s furtive vocals, however, distinguished Radiohead’s jangle from the cocksure swagger of Oasis’ one-two punch of Noel and Liam (on their debut, Definitely Maybe). And while Oasis perfected soaring and accessible ’90s arena rock, The Bends hinted at the obscure road-less-taken path that Radiohead took in subsequent years.

Enter one of the touchstones of the ‘90s: Radiohead’s 1997 album, OK Computer. It’s hard to overemphasize its impact. It ranks alongside Nine Inch Nails’ The Downward Spiral, My Bloody Valentine’s Loveless, Nirvana’s Nevermind, and P.J. Harvey’s To Bring You My Love as the most important records of that decade. Sonically adventurous and drenched in reverb that recalled the psychedelic dabbling of Pink Floyd, Radiohead crafted a record that heralded the arrival of post-rock (later typified by acts like Explosions in the Sky and Godspeed You Black Emperor).

Read the rest of this entry »


international philosophy soccer finals

Hilarious, the undervalued Archimedes brings it home! My favorite part was Karl Marx warming up on the sidelines…

Dedicated to my brother-in-law, Henry

HT: Tony Jones @ Theoblogy


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